My work in film has spanned a wide range of genres, scales, and international locations. From action-heavy blockbusters to character-driven dramas, I have had the privilege of working on films that demand precision, adaptability, and strong leadership from the AD team. My film credits include productions such as The King’s Man, The Swimmers, The Beautiful Game, Red Sparrow, Wonder Woman, and The Imitation Game.

These projects have taken me across the globe — from the streets of London to the deserts of Abu Dhabi — and deepened my commitment to creating seamless, collaborative environments on set.

My film experience reflects both my versatility and my passion for supporting storytelling at the highest level.

My journey as an Assistant Director has been shaped by the fast pace and ambition of high-end television.

From sweeping period dramas to sharp, contemporary thrillers, I thrive on the challenge of managing large-scale productions with precision and calm.

My credits include standout series like Bridgerton, The Buccaneers, Slow Horses and My Lady Jane — all known for their scale, style, and storytelling ambition.

Having worked across the UK and internationally, I bring a steady hand and a collaborative spirit to every set, helping directors, cast and crew deliver their best work in complex, high-pressure environments.

I have been called upon to lead commercials and branded content shoots and these fast-paced, high-pressure environments have sharpened my eye for detail and timing.

While I value the creative energy and logistical precision that commercial work demands, I remain most passionate about long-form storytelling. I therefore take on commercial projects selectively — focusing on those that align with my values.